Silvia Camporesi (Forlì, 1973) lives and works in Forlì, Italy.     
     
Through the languages of photography and video – used in a pictorial way in which the color has always the leading role – she produces tales that draw on myth, literature, religion and on real life, along a slight boundary line between imagination and reality, wakefulness and slumber, by maintaining a constant relation with the natural element. In recent years her research is focused on the Italian landscape. Since 2000 she has been shown in several solo and group exhibitions, amongst the most recent: Architetture Inabitabili, curated by Chiara Sbarigia and Dario Dalla Lana, Centrale Montemartini, Rome (2024); Sommersi, salvati, Ex Biblioteca del Seminario Vescovile, Forlì, Italy (2023); Domestica, Monfest, Casale Monferrato, Italy (2022); Forzare il paesaggio, curated by Angel Moya Garcia, z2o Sara Zanin, Rome (2020); Autoritratto al femminile, curated by Mario Trevisan e Donata Pizzi Museo Santa Giulia, Brescia (2019), New Perspective. L’arte contemporanea disegna un nuovo futuro, Galleria Nazionale di Arte Moderna e Contemporanea, Rome (2018), L’altro sguardo. Fotografe italiane 1965-2018, curated by Raffaella Perna, Palazzo delle Esposizioni, Rome (2018), FRAGILE_MEMORIA CONFLITTO UOMO, curated by Carlo Sala, Galleria Mihelicevaa, Festival Art Stays Ptuj (Slovenia) (2018), Caducità. Il frammento come auto-rappresentazione nella ceramica d’arte italiana, curated by Irene Biochini, MiDec, Laveno (2018), GENIUS LOCI, MAC – Museo d’Arte Contemporanea, Lissone, Italy (2017), Silently close are some particles, curated by M. Paderni, z2o Sara Zanin, Rome (2017), Mirabilia, Photographica Fineart Gallery, Lugano, Switzerland (2017), Atlas Italiae, Art Musings, Mumbai, India (2017), Atlas Italiae, Galleria del Cembalo, Rome (2016), Bologna dopo Morandi 1945-2015, Palazzo Fava, Bologna, Italy (2016), L’altro Sguardo. Fotografe italiane 1965-2015, Triennale di Milano, Milan (2016), Extraordinary visions. L’Italia ci guarda, MAXXI, Rome (2016), Dall’oggi al domani. 24 ore nell’arte contemporanea, curated by A. Sbrilli e M. G. Tolomeo, MACRO, Rome (2016), Atlas Italiae, curated by M. Paderni, Abbaye de Neumünster – Luxembourg (2015), Mdina Cathedral Art Biennal, curated by I. Biolchini, Mdina (Malta) (2015), Italia inside out, curated by G. Calvenzi, Palazzo della Ragione, Milan (2015), Photomed Beirut, Beirut central discrict, curated by A. Mauro, Beirut (2015), Planasia, IX Festival di fotografia Europea, curated by M. Paderni, ex Sinagoga, Reggio Emilia, Italy (2014), Vie di dialogo: Camporesi/ D’Accardi, curated by C. Collina e M. Pulini, Museo della Città, Rimini, Italy (2014), Let’s go. The big vacation boom!, Kro art contemporary, Wien (2014), Songes et visions, Photomed festival, curated by A. Mauro, Sanary sur Mer, France (2014), Le Amazzoni della fotografia, curated by I. Zannier, Palazzo Fortuny, Venice (2014). In 2007 she won the Celeste Prize for photography and she has been finalist of Cairo Award (2013), Terna Award (2012 and 2010) and Talent Prize (special mention 2013 - 2008).

She won also the Francesco Fabbri Prize for the photography in 2013, Rotary Prize at Artefiera 2015 and BNL Prize in 2016. In 2015 she published the photographic book Atlas Italiae for the publishing house Peliti Associati. Her works are in important public and private collections.